RedazioneIn the vast landscape of electronic and avant-garde music, Boy Grapes’ latest EP, UH HUH, stands as a bold testament to both creative evolution and deeply personal expression. Comprising five meticulously crafted tracks, this release offers a profound glimpse into the mind of an artist who is not afraid to experiment with the boundaries of genre, while still retaining the core elements that have defined his unique sound.
The opening track, “Irun Therisk,” sets the tone with a pulsating bassline that immediately draws the listener into its hypnotic groove. The rhythmic complexity is both intriguing and disorienting, a deliberate choice that reflects Boy Grapes’ desire to push his music into more extroverted territory without losing the introspective depth that has characterized his previous work. The beats are sharp, almost industrial, yet there is an underlying warmth that balances the track, creating a dichotomy that is both unsettling and compelling.
“At least im in the Air” follows, shifting the mood with its airy, ethereal synths and a rhythm that feels almost weightless. The bassline here is more subdued, allowing the intricate percussion and shimmering electronic textures to take center stage. It’s a track that seems to float, capturing the listener in a state of suspended animation, where time feels irrelevant. This is where Boy Grapes’ avant-garde influences truly shine, as he weaves together a soundscape that is both haunting and beautiful, a reflection of his growth as an artist and a human being.
The EP’s midpoint, “SO DEAD,” is a stark contrast, diving deep into darker, more aggressive territory. The bassline here is thick and menacing, driving the track forward with an almost relentless intensity. The rhythm is jagged and unpredictable, yet it maintains a groove that is undeniably infectious. This track exemplifies Boy Grapes’ ability to blend seemingly disparate elements—aggression and melody, chaos and order—into a cohesive whole that defies easy categorization.
“Hell o” brings a moment of introspection, with its minimalist approach and sparse arrangement. The rhythm is slow and deliberate, each beat landing with a weight that echoes the emotional gravity of the track. The bassline, while subtle, carries a deep resonance that complements the haunting melodies, creating a sense of melancholy that lingers long after the track has ended. It’s a reminder of the personal nature of Boy Grapes’ music, where each note and rhythm carries a piece of his journey.
The EP closes with “causeyouwanna,” a track that perfectly encapsulates the duality of Boy Grapes’ sound. The rhythm is upbeat and almost playful, yet there is an undercurrent of tension in the bassline that hints at something deeper, more complex. It’s a fitting end to an EP that is as much about personal exploration as it is about musical innovation.
In UH HUH, Boy Grapes has crafted a body of work that is both challenging and rewarding. The rhythmic complexity, the innovative use of basslines, and the seamless blend of electronic and avant-garde elements all come together to create an EP that is not just a collection of songs, but a journey through the mind of an artist at the peak of his creative powers. We are thrilled to feature UH HUH on our webzine, as it represents the very best of what modern electronic music can offer.
