RedazioneC.O.M.F.O.R.T.A.B.L.E’s latest release, “Soundtracks For War Zones And Games,” is an ambitious blend of drone, electronic music, glitch, chillout, and downtempo that showcases the band’s signature soundscapes and innovative musical approach. Dropping on June 6, 2024, this album continues the momentum from their debut EP, “You Are Not Dead Until You Die,” and their subsequent releases, cementing their place in the experimental music scene.
The album opens with the titular track, “Soundtracks For War Zones And Games,” setting the tone with a brooding atmosphere. The rhythm is understated yet effective, creating a sense of urgency and tension. The bassline is deep and resonant, providing a solid foundation for the intricate layers of glitchy textures and haunting melodies that define the track. This theme of complex yet cohesive rhythms continues throughout the album, demonstrating C.O.M.F.O.R.T.A.B.L.E’s mastery in balancing technical proficiency with emotive storytelling.
“Heal The Wounded Rescue The Dying” follows with a more introspective vibe. The rhythm here is more fluid, almost meditative, allowing the listener to sink into the track’s soothing ambiance. The bassline is warm and comforting, complementing the delicate electronic flourishes that weave in and out of the mix. This track exemplifies the band’s ability to create music that is both emotionally charged and sonically rich.
“God Be With You Soldier (In Awe)” is one of the shorter tracks on the album but leaves a lasting impression with its minimalistic approach. The rhythm is sparse, creating space for the bassline to take center stage. The track’s simplicity is its strength, allowing each element to shine without overwhelming the listener.
One of the standout tracks, “Being Miserable And Happy At The Same Time,” encapsulates the band’s ethos. The rhythm is complex, with shifting time signatures and unexpected pauses that keep the listener engaged. The bassline is a driving force, guiding the track through its various phases. The juxtaposition of melancholy and euphoria is expertly handled, making this track a microcosm of the album’s broader themes.
“Like A No Man’s Sky Track” is a sprawling piece, clocking in at just under six minutes. The rhythm is expansive, mirroring the vastness of space. The bassline is pulsating, grounding the ethereal synths and glitchy effects that float above. This track is a journey in itself, capturing the essence of exploration and discovery.
Tracks like “Camera Eats First” and “Melted Wings On The Shoulders Of Skip Cregier” continue to explore these themes with varied rhythms and basslines, each offering a unique listening experience. “That Was My Jam When I Was A Kid” and “Nobody Wants To Be A Nobody” provide more reflective moments, with slower rhythms and introspective basslines that invite contemplation.
The album closes with “Invisible Minefields,” a fitting end to this auditory journey. The rhythm is steady, almost hypnotic, while the bassline is deep and resonant, providing a sense of closure. The track encapsulates the album’s exploration of conflict and resolution, leaving the listener with a sense of peace.
Overall, “Soundtracks For War Zones And Games” is a high-quality release that we are thrilled to feature on our webzine. C.O.M.F.O.R.T.A.B.L.E continues to push the boundaries of genre, creating music that is both innovative and deeply resonant. This album is a testament to their talent and vision, and a must-listen for fans of experimental music.
Tracklist:
1) Soundtracks For War Zones And Games 04:36
2) Heal The Wounded Rescue The Dying 03:21
3) God Be With You Soldier (In Awe) 02:37
4) Being Miserable And Happy At The Same Time 04:40
5) Like A No Man’s Sky Track 05:55
6) Camera Eats First 04:21
7) Melted Wings On The Shoulders Of Skip Cregier 03:39
8) That Was My Jam When I Was A Kid 03:52
9) Nobody Wants To Be A Nobody 02:05
10) Invisible Minefields 04:28
Release Date: 2024-06-06
