RedazioneIn the ever-evolving landscape of synthwave and synth pop, MYLO CHOY’s latest offering, SUMMER PROJECTS (PART 2), stands as a testament to the power of introspection and sonic craftsmanship. This EP, a follow-up to 2022’s SUMMER PROJECTS (PART 1), marks the culmination of a multiyear journey that began in the humid embrace of South Carolina during the early days of the pandemic. Themes of introspection, healing, and the heavy atmosphere of the South permeate this release, making it a deeply personal and resonant work.
The EP opens with “Smallest Things,” a track that immediately sets the tone with its lush synth layers and intricate rhythms. The percussion is both subtle and intricate, providing a perfect counterpoint to the rich, melodic synth lines. The bassline here is particularly noteworthy – it pulses with a warmth and depth that gives the track a solid foundation while still allowing the shimmering synths to take center stage. This balance between the rhythmic elements and the melodic content is a hallmark of CHOY’s sound and is expertly executed throughout the EP.
“Passing By” continues this exploration of sonic textures, with a slightly more upbeat tempo and a driving bassline that propels the track forward. The synths here are brighter, more effervescent, creating a sense of movement and progression. There is a nostalgic quality to the melodies, reminiscent of 80s synth pop but infused with a modern sensibility. The rhythm section again shines, with crisp, precise drum programming that keeps the track grounded while allowing the melodies to soar.
“Nothing to Know” slows things down slightly, offering a more introspective and contemplative mood. The bassline is subdued yet impactful, providing a steady heartbeat to the track. The synths are dreamy and atmospheric, creating a soundscape that invites the listener to get lost in its layers. The rhythmic elements are delicate and nuanced, supporting the track without ever overpowering it. This track exemplifies CHOY’s ability to create deeply emotional and immersive music.
“Love On Its Own” is perhaps the most synth pop-oriented track on the EP, with a catchy, infectious melody and a danceable beat. The bassline is groovy and dynamic, adding a sense of fun and playfulness to the track. The synths are bright and layered, creating a rich tapestry of sound that is both engaging and uplifting. The rhythm section is tight and precise, providing the perfect backdrop for the melodic elements to shine.
The EP closes with “Outro: Diorama,” a brief but poignant track that encapsulates the themes of the EP in a concise, powerful way. The bassline is minimal yet effective, and the synths are sparse and evocative. The rhythms are gentle and understated, allowing the track to serve as a reflective conclusion to the EP.
Overall, SUMMER PROJECTS (PART 2) is a high-quality release that showcases MYLO CHOY’s talent for blending intricate rhythms, warm basslines, and lush synths into a cohesive and emotionally resonant whole. The EP is a worthy continuation of the SUMMER PROJECTS series and a standout entry in the synthwave and synth pop genres. It is with great pleasure that we host this review on our webzine, celebrating the artistry and introspection that MYLO CHOY brings to the table.
