RedazioneSour Blood’s debut album, SUAS, marks a profound and evocative journey through the realms of electronic and drone music. Released on August 2nd both digitally and on vinyl, this self-released album by the Irish artist, Kevin Gleeson, offers an expansive soundscape that blends intricate composition with a deep sense of introspection.
SUAS is an eight-track exploration into the symphonic and the atmospheric, melding together glacial orchestrations with a nuanced, nocturnal ambiance. From the very first notes, it’s clear that this album is not merely a collection of songs but a meticulously crafted auditory experience. The album’s title, which translates to “Upwards” in Irish, aptly reflects its ascending, immersive quality.
The rhythmic structure of SUAS is a key element in its success. Each track moves with a deliberate, almost meditative pace, allowing the listener to fully engage with the evolving soundscapes. The rhythmic patterns are not just foundational but are intricately woven into the fabric of the album’s texture, providing a steady pulse that anchors the more fluid and evolving elements. This is especially evident in tracks like “The Devil” and “Clot,” where the rhythms subtly drive the emotional intensity of the music, creating a compelling sense of momentum.
The basslines in SUAS are particularly noteworthy. They serve as the undercurrent of the album, often subtly shifting and evolving to complement the rich layers of sound. In “Bruise,” the bassline provides a resonant foundation that enhances the track’s piano-led melancholy. The depth and warmth of these bass elements contribute to the album’s overall wintry atmosphere, adding both weight and texture to the sonic palette.
Gleeson’s vocal performance throughout the album is another highlight. His versatility is on full display, from the R&B-influenced groove of “Mysterious Creature” to the ethereal, manipulated vocals that drift through the atmospheric layers of other tracks. This dynamic use of his voice, coupled with the intricate sound design, creates a vivid emotional landscape that evolves with each track.
Collaborating with Brendan Jenkinson, known for his work with Villagers and Aoife Nessa Francis, has resulted in a sound that is both expansive and intimate. The synthesis of electronic and acoustic elements in SUAS demonstrates a masterful approach to sound design and songwriting. The album transitions effortlessly between warm, pastoral complexities and more surreal, haunted acoustics, as seen in the closing track “Overgrowing.”
Overall, SUAS is a captivating debut that establishes Sour Blood as a significant force in the realms of electronic and drone music. The album’s ability to combine rich orchestration with introspective grandeur speaks to Gleeson’s exceptional talent and vision. With its lush soundscapes and innovative composition, SUAS is a must-listen for those interested in the evolving landscape of modern electronic music.
